![linear patterns drums linear patterns drums](https://cdn.onlinedrummer.com/Linear-Drum-Beat-Ideas-Sheet-Thumbnail.gif)
So this raises an important issue, and that is practicing by learning other drummers parts note for note. You see, it's not about notes, it's about feel! His answer was that Zigaboo never played it the same as the record. I played it wrong)Īfter playing I mentioned to the bass player (The great Darryl Anders) that I had got it wrong. I couldn't remember the exact beat on the record so I played 'my version' (ie. By just playing straight fours through a James Brown track you will learn more about groove than learning the drummers beats note for note.Ī few years back I ended up playing 'Cissy Strut' by the Meters with Zigaboo Modeliste's bass player. You can play along to music if you want, but do not to try and emulate the exact notes you can hear, but to emulate the feeling. When I start practicing I always start with a groove, and I focus on trying to make it feel good based upon my memory of some great music. This is what makes drumming great, and there are as many ways to do this as there are great drummers. So the target of practice is the development of musical feeling. Don't try and do what you think you should be doing, just aim at the feeling. If you feel like this then go and listen to some music you like and analyse what it is about that music that gets you fired up and think how you can get that feeling into your own playing and then go and try and do that.
#LINEAR PATTERNS DRUMS HOW TO#
If practice feels difficult and frustrating then you are only learning how to feel bad when you play.
![linear patterns drums linear patterns drums](https://i.ytimg.com/vi/S8EHxdqgDuY/maxresdefault.jpg)
If you don't feel like practicing this is probably because you are not getting the right feedback from your practice. It is by playing stuff which is musical that we really improve and so it follows logically that when we practice we should try and play musically. When we play in a band we are forced to play something musical. Playing seriously is the best way of improving. If you have any questions or requests, leave a comment below.There is only one way to get good on the drums and that is to play them.a lot!Īnyone who has done a number of gigs in a row will tell you this.
![linear patterns drums linear patterns drums](https://i.ytimg.com/vi/RT_UiRXt17w/mqdefault.jpg)
If you’d like to be updated about future posts, you can sign up here. The next step is to try combining the ‘A’ patterns to make more complex phrases that we can use as fills or as solos. Do this with a metronome, you want to keep a consistent tempo as you transition from the grooves to the fills. For example, three bars of groove with one bar of fill (the ‘B’ pattern). Now try using the ‘B’ patterns you've practiced as fills. Iv) Reverse the sticking and try ideas a-c. For the first R L use idea ‘i’, for the next R L idea ‘ii’ etc. Ii) Move the R around the kit, leaving the L on the snare. I) Play the first R L on the snare, the next R L on the high tom, the next on the low tom etc. Now it's time to have a bit of fun! Try playing the ‘B’ exercises around the kit. Once you can play the ‘B’ exercises try adding a left foot hi-hat on every beat (the beginning of each group of four 16th notes). Coordination-wise, this is pretty tough at first, so start slow! Once you can comfortably play ‘A’, move to the corresponding ‘B’ exercise using the same sticking. Beware that when you loop the ‘B’ exercises the ‘A’ pattern will cut short at the end. Regardless of tempo, they should sound the same! Playing two bass drums right next to each other is quite difficult, so take it slow and pay close attention to how you are playing each stroke. 1-4 have one bass drum at the end of the phrase, 5-8 have two bass drums. Start by looping the ‘A’ pattern, using the sticking written underneath the exercise. This will help you hear how pattern relates to the beat. Make sure you practice the ‘B’ patterns to a metronome.
![linear patterns drums linear patterns drums](https://images.ctfassets.net/3s5io6mnxfqz/6HoKfgBzY19hguCCIUvVMw/de0c4d07738dcc4d197fa0e9e3eb2b4f/image3_3.jpg)
These exercises introduce eight linear phrases (the ‘A’ patterns) and then puts them into 4/4 as 16th notes (the ‘B’ patterns). The hands and feet don't play at the same time. The word “Linear” refers to the fact that each note is played by itself.